1.0XRbyhttps://xrby.art/en/rich600338<blockquote class="wp-embedded-content" data-secret="mQrOALYlLE"><a href="https://xrby.art/en/collaboration-philippe-jacquin-ravot/">[Collaboration] Philippe Jacquin-Ravot</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://xrby.art/en/collaboration-philippe-jacquin-ravot/embed/#?secret=mQrOALYlLE" width="600" height="338" title="“[Collaboration] Philippe Jacquin-Ravot” — XRby" data-secret="mQrOALYlLE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://xrby.art/wp-includes/js/wp-embed.min.js </script> A graduate of the École des Beaux-Arts de Lyon, Philippe Jacquin-Ravot has excelled in the art of miniature painting for over 30 years. He wields the binocular and the finest brushes in the world to transcribe what cannot be seen with the naked eye and uses oil paint, watercolor and a glaze technique specially developed for watchmaking, on mother-of-pearl, glass, precious metals, metallic surfaces or even grand feu enamel.https://xrby.art/wp-content/uploads/2021/12/PortaritPJR-2.jpg1280853